Narco-Geographies, Part I: HSBC and Global Money Laundering

Chicago Board of Trade II-Andreas GurskyBritain’s biggest bank, HSBC, recently agreed to a record $1.92 billion settlement with U.S. authorities over charges that it laundered billions of dollars tied to Latin American drug cartels, so-called “rogue states,” and foreign terrorist organizations. Although the U.S. Department of Justice (DOJ) has made a show of these massive money-laundering settlements in recent years, the fact that U.S. authorities have cowered from actually prosecuting these massive crimes shows how illicit financial flows remain a structural—and perhaps increasingly necessary—pillar of the global capitalist system.

According to the NY Times, DOJ officials feared “criminal prosecution would topple the bank and, in the process, endanger the financial system.” Although the money-laundering business of major banks is being exposed, U.S. investigators insist the banks are too big to indict. They claim criminal prosecution could have destabilizing “collateral consequences” that would ripple across the world financial system. Continue reading

Posted in Drugs, Elites, Illegality, Networks, Political Economy, Scale, Security, Violence | 2 Comments

New Journal: Critical Historical Studies

Sitting on History-Bill WoodrowUniversity of Chicago Press is launching a new journal called Critical Historical Studies. Sponsored by the Chicago Center for Contemporary Theory and edited by Manu Goswami, Moishe Postone, Andrew Sartori, and William H. Sewell, Jr., the journal is actively seeking submissions.

Critical Historical Studies is a new interdisciplinary journal devoted to historical reflections on politics, culture, economy, and social life. CHS features research on the implications of socioeconomic transformations for cultural, political, and social change. In the broad tradition of Critical Theory, CHS will explore the complex connections between cultural form and socioeconomic context and promote a reflexive awareness of the researcher’s own position in the history of global capitalist society.

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Interweb Motley # 12

“Show me a fifty-foot fence and I’ll show you a fifty-one-foot ladder.” Or maybe a ramp (#fail). The New Yorker brings us 2012’s most outlandish stories from the drug war in Mexico.

Photo ops: Creepy photo montage of university Financial Aid offices and, following an earlier post about the materiality of the Internet, a photo tour of Google’s data centers (The Matrix, anyone?).

Josh Begley’s chronicle of playing golf at one of the most exclusive “gated communities” in the United States: Angola Maximum-Security Prison.

One of Professor Ananya Roy’s students at Berkeley made an animated version of an introductory lecture to her undergraduate class on “Global Poverty”, which regularly has some 500-700 (more?) students.

Quinn Norton provides an extensive, well-written portrait of #Occupy, a “Eulogy,” she calls it. There’s a lot to think about in the piece, though I take issue with some of her characterizations (especially, on Oakland).

Finally, some moving tributes to the late Neil Smith in the latest issue of Environment and Planning D: Society and Space.

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The Solitude of Latin America

Today marks 30 years since Gabriel García Márquez won the Nobel Prize in Literature. His Nobel speech, “The Solitude of Latin America,” is itself a masterpiece. The closing lines (spoiler!) below. Full text English translation is online, but if you read Spanish, then duh—or listen.)

On a day like today, my master William Faulkner said, “I decline to accept the end of man”. I would fall unworthy of standing in this place that was his, if I were not fully aware that the colossal tragedy he refused to recognize thirty-two years ago is now, for the first time since the beginning of humanity, nothing more than a simple scientific possibility. Faced with this awesome reality that must have seemed a mere utopia through all of human time, we, the inventors of tales, who will believe anything, feel entitled to believe that it is not yet too late to engage in the creation of the opposite utopia. A new and sweeping utopia of life, where no one will be able to decide for others how they die, where love will prove true and happiness be possible, and where the races condemned to one hundred years of solitude will have, at last and forever, a second opportunity on earth.

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The New Aesthetic Part III: The Network

This final installment on the New Aesthetic (Part I: Seeing Like a Machine; Part II: Writing Like a Drone) considers the awkward physicality of the Internet as a thing. If the New Aesthetic is that “structure of feeling” produced by the irruption of digital technology into our everyday life, then what about the strange im/materiality of the network underwriting and making possible this irruption, the Internet? What sort of a thing is the Internet? And how should we understand its geography? Below, I don’t answer these questions (obviously). Continue reading

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Interweb Motley # 11

I’m not alone in getting a kick out of how Marx incorporated vampires, werewolves, and other monsters into the narrative of Capital. In fact, David McNally’s Monsters of the Market: Zombies, Vampires, and Global Capitalism takes the cake on this note and won the Deutscher Prize (Marxist lit award). McNally’s book connects Marx’s monstrous metaphors to contemporary stories about zombies and vampires in sub-Saharan Africa. (It’s reminiscent of Taussig’s brilliant book, The Devil and Commodity Fetishism in South America. Both describe what I’ve called vernacular critiques of capitalism.)  In a somewhat related genre, is Evan Calder Williams’ Combined and Uneven Apocalypse, which gives a political economic cultural critique on the “apocalyptic fantasies of our collapsing era.”

Crimethinc, the anarchist ex-workers’ collective, has a new take on the social pyramid depiction of capitalism featured at left; turns out, capitalism actually is a pyramid scheme. Continue reading

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U.S. Elections: Latin America MIA

Despite the oversized impact that the United States has beyond its borders, Barack Obama’s victory was won over wholly domestic issues. Even the so-called “foreign policy debate”—the last debate of the campaign—veered consistently back to domestic affairs. An op-ed I published in the final stretch of the campaign was all about how Latin America was totally missing from the presidential race. The op-ed Continue reading

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Interweb Motley # 10

Beat Generation author Jack Kerouac has been in the news lately. First, the 120-foot, type-written scroll of his 1957 classic On The Road has been put on display as part of an exhibition at the British Library (until December). The scroll was written in three drug-fueled weeks. BBC profiled the exhibition with a nice video. Although the book is always said to have “defined a generation,” what it really defined is how people imagine the U.S. West. Now, the NY Times published a feature on the Beat Museum in San Francisco. I was obsessed with Beat Lit growing up.

Thanks to my friend Alex T., I came across Action Philosophers!, self-described as “the award-winning, critically praised comic book series detailing the lives and thoughts of history’s A-list brain trust in a hip and humorous way that proves that philosophy can be for everyone!” All nine editions are available as a single volume. A preview is available on their site (PDF).

Motherboard a blog with Vice published an interesting piece on research about the relation between the timing of social uprisings in 2008 and 2011 and food prices. E.P. Thompson’s moral economy of the crowd in action? (h/t: Rory Padfield)

Public Works got twenty-seven designers to interpret the idea of “public” in relation to space and bicycles and out came some really cool posters. (h/t: @backspace)

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The New Aesthetic Part II: Writing Like A Drone

My first post on the “New Aesthetic”—that weird, sometimes unsettling irruption of digital phenomena into real life, particularly into our visual culture—described it as a “structure of feeling,” a term coined by cultural critic Raymond Williams. For him, a structure of feeling described a historically situated general lived experience, but one “as firm and definite as ‘structure’ suggests, yet [operating] in the most delicate and least tangible part of our activities.” The New Aesthetic is an assertive attempt to highlight the diffuse processes through which digitalia has seeped into and out of our everyday life. And then there’s drones, “the robotic killing machines” of the New Aesthetic. Technology, of course, can always cut both ways. I’ve talked about drones and protest before. And now: “The advent of next generation military/police technologies for urban use has made engaging in active social insurgency an increasingly risky venture.” Enter: the Institute for Applied Autonomy’s graffiti drone. Continue reading

Posted in #Occupy, Art, City, Insurgency/Counterinsurgency, Raymond Williams, Security | 2 Comments

Can Colombia’s Peace Talks Succeed?

Colombia’s fourth and hopefully definitive try at peace talks with the country’s largest rebel group begin today in Oslo, Norway. The previous three tries between the government and the Revolutionary Armed Forces of Colombia (FARC)—once in the 1980s and twice in the 1990s—all ended with the armed conflict plummeting to new lows. Everyone hopes this time will be different. I hope so, too, but I go back and forth between optimism and skepticism. People have asked me what I think about this historic moment, so here is what I see as some of the key issues that beset the rocky road ahead. Continue reading

Posted in Agriculture, Development, Drugs, Illegality, Insurgency/Counterinsurgency, Land, Peace, Security, Terror, The State, Violence | Comments Off on Can Colombia’s Peace Talks Succeed?